beginning to provide enough context and
foreshadowing for the whole Dante/Goya/
Chapman abjection episode to not strike
as entirely disconnected and needlessly
It all ties neatly together with
Intertextuality, if for no other reason
than it and grotesque abjection share
common architects in Bakhtin and
First things first, however; I need to
m root the entire thing in marginalia.
Specifically as it relates to its
potential use as a literary tool in
the form of a voice and language.